Reviewed · MUNICH

“Comedykills” – das Open Mic im Glockenbachviertel

★ 4.1 · 51 reviews 1 day From $16 Operated by Comedy Kills · Bookable on GetYourGuide
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Comedy Kills turns a Friday or Saturday night at Beverly Kills into Munich’s changing comedy laboratory. The show starts at 9 p.m., with beginners and working comedians each trying out new material in short eight-minute sets. On Saturdays, one or two comics get longer slots.

I like the low price, about $16, especially since it includes both the comedy show and the party afterward. I also like the chance to catch a comic early in a career, then perhaps see that same person on television later. The catch is simple: the quality can swing from sharp to uneven, and the room may feel too small when Saturday crowds fill it.

Key points to know before you go

  • Eight minutes per comic: The short sets keep the pace moving and give you a broad sample of Munich’s stand-up scene.
  • Two show nights: Comedy Kills runs every Friday and Saturday, with a 9 p.m. start.
  • Saturday has longer sets: One or two comedians usually get more time to develop a routine and deliver guaranteed gags.
  • German is the show language: The host or greeter speaks German, and the comedy is presented in German.
  • Entry includes the late party: After the comedy, Beverly Kills continues with hip-hop until 5 a.m.
  • Adults only: You must be at least 18, and drunk people are not admitted to the show.

A small stage with a big range of comic styles

"Comedykills" - das Open Mic im Glockenbachviertel - A small stage with a big range of comic styles

Comedy Kills is not a polished theater production with one famous headliner. It is an open mic, which means the point is variety. You may see a first-timer testing a fresh idea, followed by a professional tightening a routine that could later appear on television.

That setup gives the night its character. Every comic has about eight minutes, so nobody has much time to lose the room. I like this format because it keeps the evening moving and lets you sample several comic voices in one sitting. If one act does not work for you, another is only a few minutes away.

The tradeoff is just as clear. Open-mic comedy is not consistently excellent by design. Some acts will land better than others. The experience asks you to enjoy the process, not expect a carefully controlled lineup of top performers.

Saturday adds a little more structure. One or two comedians play longer and are expected to guarantee laughs. Those extended appearances give you more room to see a comic build an idea rather than fire off a string of short attempts.

Other Munich tours people book alongside this one:

Finding Beverly Kills near Sendlinger Tor

"Comedykills" - das Open Mic im Glockenbachviertel - Finding Beverly Kills near Sendlinger Tor

The venue is Beverly Kills in Munich’s Glockenbachviertel, not far from Sendlinger Tor. The most useful landmark is the fast-food restaurant Bazi Box, with Beverly Kills located next to it.

I would plan to arrive with enough time to identify the bar before the 9 p.m. start. This is especially sensible if you are meeting friends, since a bar entrance can be easy to miss in an active neighborhood. The supplied location information does not give a full street address, so using Beverly Kills and Bazi Box together is the practical way to orient yourself.

The neighborhood location helps the evening fit neatly into a wider Munich night out. You can reach the area from central Munich, attend the show, and then stay for the party without arranging a second venue. The experience is sold as a one-day activity, but the actual evening can run deep into the night.

What happens from 9 p.m. onward

"Comedykills" - das Open Mic im Glockenbachviertel - What happens from 9 p.m. onward

The comedy begins at 9 p.m. Your evening is built around a succession of short sets rather than a single continuous performance. Each comic gets roughly eight minutes to present current material, which may include new jokes, unfinished ideas, or a tested routine.

That short time limit is important. It creates a quick rhythm and gives the open stage a sense of risk. You are not waiting through a long weak set, but you are also not getting the full arc of a major stand-up show.

Because the performers change, the exact character of the night changes too. The comedy may feel fresh and unpredictable, but there is no fixed cast you can judge in advance. The information provided does not name individual comedians, so you should book for the open-mic format rather than for a particular star.

On Saturdays, one or two performers receive longer slots. These sets are intended to provide more complete routines and dependable laughs. If you want a little more than a parade of short experiments, Saturday may be the better choice.

The room matters more than you might expect

Comedy in a bar depends heavily on the room. A compact space can make the audience feel close to the performer, which is often a good thing for stand-up. Laughter, pauses, and small reactions carry more easily when the stage and audience are near each other.

The same closeness can become uncomfortable when too many people are allowed in. Saturday attendance can make the room feel too small for the number of people inside. That is the clearest practical concern for this experience. If personal space matters to you, arriving early may help you get settled before the show fills up, although the available information does not promise reserved seating.

The atmosphere has an intentionally old-fashioned feel. The bar setting has been described as resembling a trip into the past, which may appeal to you if you enjoy character over polish. Service and drinks are part of the evening, and the bar setting makes ordering refreshments natural.

Do not expect a silent comedy club with theater-style rules. You are in a working bar, and that shapes the night. The room, drinks, music, and late party are part of the experience, not separate extras.

Something different, still within reach of Munich:

German comedy and language limits

The activity is in German, and the host or greeter is German-speaking. That matters more here than it would on a standard sightseeing tour. Comedy relies on timing, word choice, cultural references, and the exact sound of a phrase. Basic German may not be enough to follow every joke.

If you are fluent or comfortable with German, the changing open-mic format offers a direct look at local stand-up. You hear performers shaping material for a Munich audience rather than watching a translated or international comedy product.

If you do not understand German well, you may still enjoy the energy, delivery, and audience reaction, but the $16 entry may not feel like strong value. There are no stated subtitles, translations, or English-language sets. I would treat German fluency as the main decision point, ahead of the bar atmosphere or late party.

What the $16 price really covers

At about $16 per person, the cost is modest for a full evening plan. Your entry covers the comedy show and the party afterward, so you are not paying separately to remain at Beverly Kills once the stand-up ends.

The value is strongest if you want both parts. You get a live comedy program at 9 p.m., then a hip-hop party that continues until 5 a.m. That is a long night for the admission price, though drinks are not listed as included. Plan to budget separately for anything you order at the bar.

The value is weaker if you only want a short comedy performance and intend to leave right away. In that case, the open-mic quality becomes more important, and some sets may not match the level of a ticketed professional show.

I see the price as fair because the format gives you variety and a second activity in the same venue. It is not a guarantee of polished comedy. You are paying for access to a live stage, a changing lineup, and a social night out.

Staying for the hip-hop party

After the comedy, Beverly Kills continues with a hip-hop party every Friday and Saturday. The party is included with entry and can run until 5 a.m.

This makes Comedy Kills different from an open mic that ends as soon as the last joke is told. You can treat the comedy as the main event, then stay for music, drinks, and a late night. You can also leave after the show if the party is not your style, though the price gives you the option to continue.

The late finish suits adults looking for nightlife rather than an early cultural stop. It is less useful for anyone who wants a quiet evening or needs to be back at a hotel soon after the 9 p.m. performance.

Because both the comedy and party happen in the same bar, you avoid changing venues in the middle of the night. That is convenient, particularly if you are with a group. It also means you should expect the tone of the evening to shift from focused comedy to club-style nightlife.

Age rules and the bar setting

This is strictly an 18-plus activity. Children under 18 are not suitable for the event, and minors are not admitted. Drunk people are also refused entry to the show.

That last rule is worth understanding. The venue is a bar, but the comedy portion still has an entry standard intended to protect the performance and the room. You should arrive able to take part normally, rather than treating the show as a place to get heavily intoxicated.

The activity is listed as wheelchair accessible. That is useful, though the available information does not describe the entrance, seating arrangement, or toilet access in detail. If you need specific access features, contact the provider before booking.

Friday or Saturday?

Friday is a good pick if you want the basic open-mic experience followed by the hip-hop party. You will get the changing lineup, eight-minute sets, and the same 9 p.m. start.

Saturday may appeal more if longer comedy matters to you. One or two comedians usually receive extended slots, adding a chance to see a routine develop beyond the short open-mic format.

Saturday can also be the busier night in practical terms. The room may feel too tight for the number of people admitted, so I would favor Friday if space and a calmer setup matter more than longer sets. Choose Saturday if you are happy to trade some room for the possibility of a fuller comedy set.

Who will enjoy Comedy Kills most?

I would recommend this to adults who enjoy discovering local performers and do not need every act to be perfect. It suits you if you speak German, like bar-based nightlife, and enjoy the possibility of seeing a comedian before that person becomes widely known.

It also works well for a group looking for a flexible night. You can attend a scheduled show, order drinks, and continue into the hip-hop party without moving to another venue.

I would be more cautious about booking if you want English comedy, a famous headliner, reserved theater seating, or a consistently polished performance. The open-mic format cannot promise those things.

The experience is also a poor fit for families because of the age restriction. Anyone seeking a quiet, early evening should look elsewhere. The party can continue until 5 a.m., and the bar atmosphere is central to the event.

Booking details that affect your decision

The activity can be canceled up to 24 hours before the start for a full refund. You can also reserve now and pay later, which helps if your Munich plans are still changing.

The experience is valid for one day, with availability and starting times checked at booking. The regular show time is 9 p.m. on Friday and Saturday, but you should confirm the date before committing.

Since the venue is next to Bazi Box, save both names in your phone. Beverly Kills is the actual meeting point, while Bazi Box is the nearby landmark that can help you find it.

Should you book Comedy Kills?

Book it if you want German stand-up in a real bar, a changing lineup, and a late hip-hop party for one modest admission price. The chance to see beginners alongside professionals gives the night an honest open-stage feel, and the Saturday longer sets add extra appeal.

Skip it if you need dependable top-level comedy, English-language material, or plenty of space. The acts vary, and Saturday can feel crowded. For the right audience, though, Comedy Kills is an easygoing way to spend a Munich night, with enough unpredictability to make the evening feel local rather than packaged.

FAQ

Where does Comedy Kills take place?

The show takes place at Beverly Kills in Munich’s Glockenbachviertel, near Sendlinger Tor. The bar is next to the fast-food restaurant Bazi Box.

What time does the comedy show start?

The show starts at 9 p.m. every Friday and Saturday.

How long does each comedian perform?

Most comedians have about eight minutes to present their material. On Saturdays, one or two comedians usually perform longer sets.

Is the show in English?

No. The listed language is German, and the host or greeter is German-speaking.

Is the activity suitable for children?

No. Entry is restricted to people aged 18 and over, and children under 18 are not suitable for the event.

Is the party included in the admission?

Yes. Entry includes the comedy show and the party afterward at Beverly Kills. The hip-hop party runs on Fridays and Saturdays until 5 a.m.

Is the venue wheelchair accessible?

The activity is listed as wheelchair accessible. Specific details about entrances, seating, and facilities are not provided.

Can I cancel my booking?

Yes. You can cancel up to 24 hours in advance for a full refund. Reserve now and pay later is also available.

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